- BPM
- 80
- Key
- B Major
- Camelot
- 1B
Firebird Suite - 1919 Version - Chicago Symphony Orchestra Information
- Acousticness
- 61%
- Danceability
- 16%
- Energy
- 6%
- Instrumentalness
- 68%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 10%
- Popularity
- 10%
- Loudness
- -19.253 dB
Summary
"Firebird Suite - 1919 Version" by Chicago Symphony Orchestra was released on 1999. Since Firebird Suite - 1919 Version is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Fantasia 2000 (Japan Release Version) by Chicago Symphony Orchestra. Firebird Suite - 1919 Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Firebird Suite - 1919 Version BPM
The tempo marking of Firebird Suite - 1919 Version by Chicago Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Firebird Suite - 1919 Version Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: I. Trauermarsch | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Minor | 1 | 12A | 122 BPM | |
 | Matthews : Pluto, the Renewer | Colin Matthews (1946), Giacomo Puccini, Royal Philharmonic Orchestra, Owain Arwel Hughes | F Major | 0 | 7B | 82 BPM | |
 | The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | |
 | The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Allegro: Introduction | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | |
 | Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 76 BPM | |
 | Young Frankenstein: A Transsylvanian Lullaby | John Leonard Morris, Gil Shaham, Jonathan Feldman | F♯ Major | 1 | 2B | 70 BPM | |
 | Symphonic Dance No. 3, "Fiesta" | Clifton Williams, Dallas Wind Symphony, Howard Dunn | B♭ Major | 1 | 6B | 146 BPM | |
 | Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | |
 | Kol Nidrei, Op.47 - Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo) | Max Bruch, Matt Haimovitz, Chicago Symphony Orchestra, James Levine | D Major | 1 | 10B | 101 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0706262588500977
End: 1.0753746032714844