"Fauré: Super flumina Babylonis" by Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris was released on September 5, 2011. Since Fauré: Super flumina Babylonis is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Fauré: Requiem, Cantique de Jean Racine by Gabriel Fauré, Philippe Jaroussky, Matthias Goerne, Orchestre de Paris, Paavo Järvi. In terms of popularity, Fauré: Super flumina Babylonis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Super flumina Babylonis by Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Stabat Mater: 10. Fac ut portem | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 0 | 6A | 66 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Stravinsky: The Firebird, Tableau 1: Infernal Dance of all Kashchei's Subjects | Igor Stravinsky, Seiji Ozawa, Orchestre de Paris | A Minor | 5 | 8A | 146 BPM | ||
La mer, L. 109: 1. De l'aube à midi sur la mer | Claude Debussy, Orchestre de Paris, Daniel Barenboim | F♯ Major | 1 | 2B | 56 BPM | ||
Berlioz: La Damnation de Faust, Part 1, H. 111: "Les bergers quittent leurs troupeaux" (Chorus/Faust) | Hector Berlioz, Georges Prêtre, Brad Smith, Orchestre de Paris | E♭ Major | 1 | 5B | 78 BPM | ||
I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Nathalie Stutzmann, Elizabeth Norberg-Schulz, Roy Goodman | E Minor | 0 | 9A | 84 BPM | ||
Requiem, Op.48: 3. Sanctus (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Major | 0 | 5B | 173 BPM | ||
Requiem, Op. 48 (version pour grand orchestre): Agnus Dei | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor | D Minor | 0 | 7A | 143 BPM |
Section: 0.7550559043884277
End: 0.7589747905731201