"Requiem, Op.48: 3. Sanctus (Chorus)" by Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann was released on January 1, 1986. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 8 in Fauré: Requiem / Ravel: Pavane pour une infante défunte by Gabriel Fauré, Kathleen Battle, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Maurice Ravel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Requiem, Op.48: 3. Sanctus (Chorus) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op.48: 3. Sanctus (Chorus) by Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 7 Notturno | Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner | E Major | 0 | 12B | 62 BPM | ||
Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | ||
Wagner: Tannhäuser, Act 3: "Heil! Heil! Der Gnade Wunder Heil!" (Pilger, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraf) | Richard Wagner, Daniel Barenboim, Alfred Reiter, Gunnar Gudbjörnsson, Hanno Müller-Brachmann, René Pape, Staatskapelle Berlin, Stephan Rügamer, Thomas Hampson | E♭ Major | 2 | 5B | 158 BPM | ||
Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | A Minor | 2 | 8A | 113 BPM | ||
Messa da Requiem: 2. Dies irae | Giuseppe Verdi, Berliner Philharmoniker, Carlo Maria Giulini, Ernst Senff Chor | C Minor | 3 | 5A | 71 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17: 1. Andante - Allegro assai | Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | D Major | 2 | 10B | 70 BPM | ||
Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | A Major | 1 | 11B | 107 BPM | ||
Requiem, Op.48: Pie Jesu | Gabriel Fauré, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Daniele Rossi | B♭ Major | 0 | 6B | 87 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM |
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