Giuseppe Verdi, Berliner Philharmoniker, Carlo Maria Giulini, Ernst Senff Chor's 'Messa da Requiem: 2. Dies irae' came out on January 1, 2008. The duration of Messa da Requiem: 2. Dies irae is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Messa da Requiem: 2. Dies irae's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Sharon Sweet, Florence Quivar, Vinson Cole, Simon Estes, Berliner Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #2 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Messa da Requiem: 2. Dies irae is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: 2. Dies irae by Giuseppe Verdi, Berliner Philharmoniker, Carlo Maria Giulini, Ernst Senff Chor has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messa da Requiem: 2. Dies irae being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
Stabat Mater: 4. Pro peccatis suae gentis | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | C Major | 3 | 8B | 80 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
The Marriage Of Figaro KV.592 | Alfred Scholz, London Philharmonic Orchestra | D Major | 1 | 10B | 142 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt | Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Major | 4 | 11B | 136 BPM | ||
Messa da Requiem: 2. Lacrymosa | Giuseppe Verdi, Florence Quivar, Simon Estes, Sharon Sweet, Vinson Cole, Berliner Philharmoniker, Carlo Maria Giulini, Ernst Senff Chor | F Minor | 2 | 4A | 82 BPM |
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