"Má vlast, JB 1:112: II. Vltava, "The Moldau"" by Bedřich Smetana, Gustav Kuhn, Bamberg Symphony was released on August 12, 2003. The duration of Má vlast, JB 1:112: II. Vltava, "The Moldau" is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Má vlast, JB 1:112: II. Vltava, "The Moldau"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Musique A Bord" album is number 6 out of 18. Based on our statistics, Má vlast, JB 1:112: II. Vltava, "The Moldau"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Má vlast, JB 1:112: II. Vltava, "The Moldau" by Bedřich Smetana, Gustav Kuhn, Bamberg Symphony to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraum No. 3 in A-Flat Major, S. 541/3 | Franz Liszt, Arthur Fiedler, Boston Pops Orchestra | A♭ Major | 1 | 4B | 108 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
Z domoviny (From the Homeland): No. 2 in G Minor: Andantino | Bedřich Smetana, Tatjana Franova, Takako Nishizaki | E♭ Minor | 1 | 2A | 106 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - Allegro assai | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 0 | 10B | 71 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM |
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