Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's 'Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King' came out on January 1, 1993. The duration of Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's "Grieg: Peer Gynt Suites / Sibelius: Valse triste" album is number 4 out of 16. In terms of popularity, Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Casse-noisette : Danses de Casse-noisette | Wiener Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 128 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
William Tell: Overture | Gioachino Rossini, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 71 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 1 in E major, RV 269, "La Primavera". I. Allegro | Antonio Vivaldi, Anne-Sophie Mutter, Herbert von Karajan, Wiener Philharmoniker | E Major | 1 | 12B | 104 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM |
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