"Requiem, Op. 48 (version pour grand orchestre): Agnus Dei" by Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor was released on 2002. Requiem, Op. 48 (version pour grand orchestre): Agnus Dei is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 5 out of 10 in Fauré: Requiem by Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale. Based on our statistics, Requiem, Op. 48 (version pour grand orchestre): Agnus Dei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48 (version pour grand orchestre): Agnus Dei by Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Requiem, Op.48: 1. Introit et Kyrie (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 0 | 6B | 87 BPM | ||
L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" | George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze | A Major | 1 | 11B | 84 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
7 Chansons, FP 81: No. 1. La blanche neige (The White Snow) | Francis Poulenc, Elora Festival Singers, Noel Edison | E Minor | 1 | 9A | 73 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
Maddalena ai piedi di Cristo: No. 35 Aria Maddalena "In lagrime stemprato il cor qui cade" | Antonio Caldara, René Jacobs, Maria Cristina Kiehr, Schola Cantorum Basiliensis, Chiara Banchini | B♭ Minor | 0 | 3A | 79 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Nacht und Traume, D. 827 | Franz Schubert, Brigitte Geller, Ulrich Eisenlohr | E♭ Major | 1 | 5B | 102 BPM |
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