"Maddalena ai piedi di Cristo: No. 35 Aria Maddalena "In lagrime stemprato il cor qui cade"" by Antonio Caldara, René Jacobs, Maria Cristina Kiehr, Schola Cantorum Basiliensis, Chiara Banchini was released on 1996. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 59 in Caldara: Maddalena ai piedi di Cristo by Antonio Caldara, René Jacobs. Maddalena ai piedi di Cristo: No. 35 Aria Maddalena "In lagrime stemprato il cor qui cade" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Maddalena ai piedi di Cristo: No. 35 Aria Maddalena "In lagrime stemprato il cor qui cade" by Antonio Caldara, René Jacobs, Maria Cristina Kiehr, Schola Cantorum Basiliensis, Chiara Banchini is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Giulio Cesare in Egitto, HWV 17, Atto I, Scena 7: "Tutto può" | George Frideric Handel, Barbara Schlick, René Jacobs, Concerto Köln | A♭ Major | 1 | 4B | 78 BPM | ||
Così fan tutte, K. 588: Act 2: Recitativo "Andate Là" | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs, Graciela Oddone, Bernarda Fink, Véronique Gens | G Major | 1 | 9B | 72 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act I, Dido "Ah! Belinda, I am prest" | Henry Purcell, Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs | B Minor | 0 | 10A | 167 BPM | ||
Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante) | Philippe Jaroussky | F♯ Minor | 1 | 11A | 99 BPM | ||
Giulio Cesare in Egitto, HWV 17, Atto I, Scena 7: "Alma del gran Pompeo" | George Frideric Handel, Jennifer Larmore, René Jacobs, Concerto Köln | G Minor | 0 | 6A | 109 BPM | ||
La Clemenza di Tito: Atto primo, scena XI. No.11 Recitativo accompagnato Sesto "Oh Dei, che smania è questa" | Wolfgang Amadeus Mozart, Bernarda Fink, Freiburger Barockorchester, René Jacobs | F Minor | 1 | 4A | 109 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 10 in A Minor: I. Andante | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Alain Gervreau | A♭ Minor | 1 | 1A | 89 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro primo, Concerto No. 2 in D Minor: II. Vivace | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Stéphanie Pfister, Alain Gervreau | F♯ Minor | 6 | 11A | 150 BPM | ||
Jesu, meine Freude, BWV 227: I. Choral "Jesu, meine Freude" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | E♭ Minor | 1 | 2A | 189 BPM | ||
Orlando furioso, RV 728 / Act 1: "Sol da te, mio dolce amore" | Antonio Vivaldi, Cecilia Bartoli, Jean-Marc Goujon, Ensemble Matheus, Jean-Christophe Spinosi | E Minor | 1 | 9A | 69 BPM |
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