"La Clemenza di Tito: Atto primo, scena XI. No.11 Recitativo accompagnato Sesto "Oh Dei, che smania è questa"" by Wolfgang Amadeus Mozart, Bernarda Fink, Freiburger Barockorchester, René Jacobs was released on August 15, 2007. The duration of La Clemenza di Tito: Atto primo, scena XI. No.11 Recitativo accompagnato Sesto "Oh Dei, che smania è questa" is about 3 minutes long, at 3:15. Based on our data, "La Clemenza di Tito: Atto primo, scena XI. No.11 Recitativo accompagnato Sesto "Oh Dei, che smania è questa"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: La clemenza di Tito" album is number 22 out of 46. In terms of popularity, La Clemenza di Tito: Atto primo, scena XI. No.11 Recitativo accompagnato Sesto "Oh Dei, che smania è questa" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Clemenza di Tito: Atto primo, scena XI. No.11 Recitativo accompagnato Sesto "Oh Dei, che smania è questa" by Wolfgang Amadeus Mozart, Bernarda Fink, Freiburger Barockorchester, René Jacobs to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Symphony No. 40 in G Minor, K. 550 (arr. J.N. Hummel for flute, violin, cello and piano): I. Molto allegro | Wolfgang Amadeus Mozart, Johann Nepomuk Hummel, Fumiko Shiraga, Henrik Wiese, Peter Clemente, Tibor Benyi | G Minor | 1 | 6A | 114 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM |
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