"Il barbiere di Siviglia / Act 1: "Una voce poco fa"" by Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson was released on October 18, 2022. Il barbiere di Siviglia / Act 1: "Una voce poco fa" is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 75 in the song's album "Rossini: A Monument of Classics". In this album, this song's track order is #68. Furthermore, we believe that the track originated from United Kingdom. Il barbiere di Siviglia / Act 1: "Una voce poco fa" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia / Act 1: "Una voce poco fa" by Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Il Barbiere di Siviglia: All'idea de quel metallo portentoso | Gioachino Rossini, Cesare Sterbini, Giuseppe Valdengo, Giuseppe Di Stefano, Alberto Erede | D Major | 2 | 10B | 80 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Arrival of the Guests & Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM |
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