"Castor & Pollux, RCT 32, Acte I, Scène 3: Tristes apprêts, pâles flambeaux (Télaïre)" by Jean-Philippe Rameau, Agnes Mellon, William Christie, Les Arts Florissants was released on March 8, 1993. Castor & Pollux, RCT 32, Acte I, Scène 3: Tristes apprêts, pâles flambeaux (Télaïre) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Rameau: Castor & Pollux (Choruses & Dances)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Castor & Pollux, RCT 32, Acte I, Scène 3: Tristes apprêts, pâles flambeaux (Télaïre) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Castor & Pollux, RCT 32, Acte I, Scène 3: Tristes apprêts, pâles flambeaux (Télaïre) by Jean-Philippe Rameau, Agnes Mellon, William Christie, Les Arts Florissants having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apri le coscie, accio ch'io Veggia Bene | Michael Nyman, Michael Nyman Band, Marie Angel | A Major | 2 | 11B | 125 BPM | ||
Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Introit: Requiem aeternam | Wolfgang Amadeus Mozart, Miriam Allan, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Minor | 2 | 5A | 99 BPM | ||
King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Major | 1 | 1B | 95 BPM | ||
Kyrie | Alberto Iglesias | C Major | 1 | 8B | 63 BPM | ||
La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Requiem in D Minor, Op.48: 7. In paradisum | Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | D Major | 0 | 10B | 175 BPM | ||
Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] | William Christie | F Minor | 1 | 4A | 70 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM |
Section: 0.759528636932373
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