"Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Introit: Requiem aeternam" by Wolfgang Amadeus Mozart, Miriam Allan, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen was released on 2005. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Morten Schuldt-Jensen, Leipziger Kammerorchester, Anne Buter, Gewandhaus-Kammerchor's "Mozart: Requiem in D Minor, K. 626" album is number 1 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Introit: Requiem aeternam is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Introit: Requiem aeternam by Wolfgang Amadeus Mozart, Miriam Allan, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Oboe Concerto in D Minor, Op. 1: II. Adagio - Arr. for Piano by Cyprien Katsaris After Johann Sebastian Bach's Transcription | Alessandro Marcello, Cyprien Katsaris | D Minor | 0 | 7A | 85 BPM | ||
Mass No. 2 in G Major, D. 167: Benedictus: Benedictus qui venit | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Requiem in D minor, K.626 (compl. by Franz Xaver Süssmayer): 1. Introitus: Requiem | David Hirschfelder, David Hobson Chorale, Kim Wheeler | D Minor | 3 | 7A | 78 BPM | ||
Requiem In D Minor, K. 626: Introit: Requiem Aeternam | Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 74 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM | ||
Carmina Burana / Fortuna imperatrix mundi: "Fortune plango vulnera" - Live from the Forbidden City | Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | G Minor | 3 | 6A | 127 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: VI. Lacrimosa | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm, Wiener Staatsopernchor | G Minor | 1 | 6A | 106 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM |
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