Requiem In D Minor, K. 626: Introit: Requiem Aeternam
Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart
Mozart: Requiem In D Minor
5:02 April 15, 1989
BPM
74
Key
D Minor
Camelot
7A

Embed

Share Link

Requiem In D Minor, K. 626: Introit: Requiem Aeternam - Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart Information

Acousticness
97%
Danceability
7%
Energy
13%
Instrumentalness
71%
Liveness
9%
Loudness
64%
Speechiness
4%
Valence
4%
Popularity
Loudness
-21.824 dB

Summary

"Requiem In D Minor, K. 626: Introit: Requiem Aeternam" by Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart was released on April 15, 1989. With this song being about 5 minutes long, at 5:02, "Requiem In D Minor, K. 626: Introit: Requiem Aeternam" by Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 1 out of 14. Requiem In D Minor, K. 626: Introit: Requiem Aeternam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem In D Minor, K. 626: Introit: Requiem Aeternam BPM

We consider the tempo marking of Requiem In D Minor, K. 626: Introit: Requiem Aeternam by Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem In D Minor, K. 626: Introit: Requiem Aeternam Key

This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Berliner Messe: Kyrie by Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallin Chamber OrchestraBerliner Messe: KyrieArvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallin Chamber OrchestraG Minor06A76 BPM
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa by Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I BarocchistiPergolesi: Stabat Mater: I. Stabat Mater dolorosaGiovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I BarocchistiE Minor09A138 BPM
Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin DavisVesperae solennes de confessore in C, K.339: 2. Confitebor tibi, DomineWolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin DavisF Major27B98 BPM
Die Zauberflöte - Arie: Ach, Ich Fühl's by Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger BarockorchesterDie Zauberflöte - Arie: Ach, Ich Fühl'sWolfgang Amadeus Mozart, Sandrine Piau, Freiburger BarockorchesterG Major09B85 BPM
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax by Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodNulla in mundo pax, RV 630: 1. Nulla in mundo paxAntonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodE♭ Major15B99 BPM
Requiem, Op. 48: Requiem, Op. 48: I. Introït by Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle RoyaleRequiem, Op. 48: Requiem, Op. 48: I. IntroïtGabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle RoyaleD Minor07A108 BPM
Ombra Mai Fu by George Fenton, Paulo Abel Do NascimentoOmbra Mai FuGeorge Fenton, Paulo Abel Do NascimentoA♭ Minor21A99 BPM
Mass No. 18 in C Minor, K. 427, Mass No. 18 in C Minor, K. 427, "Great": Credo: Et incarnatus estWolfgang Amadeus Mozart, Norine Burgess, Viktoria Loukianetz, Robert Holzer, Herbert Lippert, Hungarian Radio Chorus, Kalman Strausz, Nicolaus Esterhazy Sinfonia, Michael HalaszE Major312B82 BPM
Vivaldi: Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri by Antonio Vivaldi, Philippe JarousskyVivaldi: Filiae maestae Jerusalem, RV 638: II. Sileant ZephyriAntonio Vivaldi, Philippe JarousskyF Minor04A138 BPM
Symphony No. 14, Op. 135: VIII. Zaporozhye Cossacks Reply to the Sultan of Constantinople by Dmitri Shostakovich, Magdaléna Hajóssyová, Peter Mikulas, Slovak Radio Symphony Orchestra, Ladislav SlovákSymphony No. 14, Op. 135: VIII. Zaporozhye Cossacks Reply to the Sultan of ConstantinopleDmitri Shostakovich, Magdaléna Hajóssyová, Peter Mikulas, Slovak Radio Symphony Orchestra, Ladislav SlovákF Minor14A176 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7331116199493408

End: 0.73651123046875