"Requiem In D Minor, K. 626: Introit: Requiem Aeternam" by Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart was released on April 15, 1989. With this song being about 5 minutes long, at 5:02, "Requiem In D Minor, K. 626: Introit: Requiem Aeternam" by Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 1 out of 14. Requiem In D Minor, K. 626: Introit: Requiem Aeternam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K. 626: Introit: Requiem Aeternam by Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berliner Messe: Kyrie | Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallin Chamber Orchestra | G Minor | 0 | 6A | 76 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 98 BPM | ||
Die Zauberflöte - Arie: Ach, Ich Fühl's | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 0 | 9B | 85 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Requiem, Op. 48: Requiem, Op. 48: I. Introït | Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale | D Minor | 0 | 7A | 108 BPM | ||
Ombra Mai Fu | George Fenton, Paulo Abel Do Nascimento | A♭ Minor | 2 | 1A | 99 BPM | ||
Mass No. 18 in C Minor, K. 427, "Great": Credo: Et incarnatus est | Wolfgang Amadeus Mozart, Norine Burgess, Viktoria Loukianetz, Robert Holzer, Herbert Lippert, Hungarian Radio Chorus, Kalman Strausz, Nicolaus Esterhazy Sinfonia, Michael Halasz | E Major | 3 | 12B | 82 BPM | ||
Vivaldi: Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri | Antonio Vivaldi, Philippe Jaroussky | F Minor | 0 | 4A | 138 BPM | ||
Symphony No. 14, Op. 135: VIII. Zaporozhye Cossacks Reply to the Sultan of Constantinople | Dmitri Shostakovich, Magdaléna Hajóssyová, Peter Mikulas, Slovak Radio Symphony Orchestra, Ladislav Slovák | F Minor | 1 | 4A | 176 BPM |
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