Requiem, Op. 48: Requiem, Op. 48: I. Introït - Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale Information

Acousticness: 98%
Danceability: 16%
Energy: 3%
Instrumentalness: 92%
Liveness: 8%
Loudness: 58%
Speechiness: 4%
Valence: 3%
Popularity: 20%
Loudness: -25.18 dB

Summary

"Requiem, Op. 48: Requiem, Op. 48: I. Introït" by Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale was released on 1988. Since Requiem, Op. 48: Requiem, Op. 48: I. Introït is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Fauré: Requiem, Op. 48 (version 1893) by Gabriel Fauré, Ensemble Musique Oblique, La Chapelle Royale, Philippe Herreweghe. In terms of popularity, Requiem, Op. 48: Requiem, Op. 48: I. Introït is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem, Op. 48: Requiem, Op. 48: I. Introït BPM

The tempo marking of Requiem, Op. 48: Requiem, Op. 48: I. Introït by Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Requiem, Op. 48: Requiem, Op. 48: I. Introït Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No. 23 in A Major, K. 488: II. Adagio	Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, Matyas Antal	F♯ Minor	0	11A	98 BPM
Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum"	Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent	B♭ Minor	0	3A	75 BPM
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L'Assassinat du duc de Guise, Op. 128: L'Assassinat du duc de Guise, Op. 128: Troisième tableau	Camille Saint-Saëns, Ensemble Musique Oblique	A♭ Major	0	4B	108 BPM
3 Pieces in Baroque Style: No. 1. Aria	Krzysztof Penderecki, Sinfonia Varsovia	B♭ Major	0	6B	76 BPM
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 1	Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder	F Major	1	7B	114 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6861944198608398

End: 0.6935210227966309