"3 Pieces in Baroque Style: No. 1. Aria" by Krzysztof Penderecki, Sinfonia Varsovia was released on October 1, 2014. The duration of 3 Pieces in Baroque Style: No. 1. Aria is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. 3 Pieces in Baroque Style: No. 1. Aria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Penderecki: Music for Chamber Orchestra". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Poland. 3 Pieces in Baroque Style: No. 1. Aria is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Pieces in Baroque Style: No. 1. Aria by Krzysztof Penderecki, Sinfonia Varsovia having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet in A minor (1876) Quartet for piano, violin, viola and cello: 1. Nicht zu schnell | Gustav Mahler, Gidon Kremer, Veronika Hagen, Clemens Hagen, Oleg Maisenberg | F Major | 1 | 7B | 98 BPM | ||
Requiem, Op.48: VII. "in paradisum" | Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow | D Major | 0 | 10B | 69 BPM | ||
Auf dem Wasser zu singen, D. 774 | Franz Schubert, Eva Oertle, Consuelo Giulianelli | A♭ Minor | 1 | 1A | 77 BPM | ||
Viola Concerto: Meno mosso - | Krzysztof Penderecki, Grigori Zhislin, Warsaw Philharmonic Orchestra, Antoni Wit | E Minor | 3 | 9A | 106 BPM | ||
Greenwood: Popcorn Superhet Receiver:, Pt. 1 | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | G Major | 1 | 9B | 86 BPM | ||
Symphony No. 3: Allegro con brio | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 1 | 9B | 96 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan (Arr. P. Vidal for Cello & Orchestra) | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | G Major | 0 | 9B | 89 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Violin Concerto: III. — | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Radio Sinfonieorchester Stuttgart des SWR, Neville Marriner | A♭ Major | 0 | 4B | 123 BPM |
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