Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis's 'Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine' came out on January 1, 1972. With this song being about 5 minutes long, at 5:13, "Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine" by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jascha Heifetz, Various Artists, Various Artists, Andrew Davis, Hugh Wolff, John Eliot Gardiner, Kent Nagano, Orchestre de chambre Jean-François Paillard, Ludwig van Beethoven, The Philhadelphia Orchestra, Eugene Istomin, Leonard Rose, Charles Gounod, Barbara Hendricks, Georges Prêtre, Oregon Symphony, James DePreist, Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, John Constable, London Symphony Orchestra, Sir Colin Davis's "Mozart: Exsultate, Jubilate; Vesperae solennes de confessore; Kyrie in D minor; Ave Verum Corpus" album is number 2 out of 9. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes" | Felix Mendelssohn, Lillian Watson/Delia Wallis/Finchley Children's Music Group/London Symphony Orchestra/André Previn, Delia Wallis, Finchley Children's Music Group, Lillian Watson, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 88 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.2 Duettino Figaro, Susanna "Se a caso madama" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs | F Major | 1 | 7B | 128 BPM | ||
Die Entführung aus dem Serail / Act 3: "Bassa Selim lebe lange" | Wolfgang Amadeus Mozart, Martha Heigl, Daniela Wagner, Johann Reinprecht, Josef Pogatschnig, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 6 | 8B | 145 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
The Magic Flute, K. 620: Dies Bildnis ist bezaubernd schön | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 79 BPM | ||
La clemenza di Tito, K. 621 / Act 2: "Ecco il punto, oh Vitellia" - "Non più di fiori" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Peter Schmidl, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
Das Paradies und die Peri, Op. 50, Erster Teil: No. 8 Weh, weh, er fehlte das Ziel | Robert Schumann, London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle, Simon Halsey | B Minor | 0 | 10A | 74 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Missa brevis In C, K.220 "Spatzenmesse": 4. Sanctus | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems | A Minor | 1 | 8A | 94 BPM |
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