"Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos]" by William Christie was released on 1995. The duration of Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #27. Furthermore, we believe that the track originated from France. Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] by William Christie having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Litanies de la Vierge, H. 83: VII. Rosa mystica | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla | A♭ Major | 1 | 4B | 181 BPM | ||
Dido and Aeneas, Z. 626: Act III: Dido: Thy hand, Belinda; darkness shades me | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | G Major | 0 | 9B | 179 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
Platée, Acte 2 Scène 4: Chœur "Qu'elle est aimable" (Mercure, Cithéron, le Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Cyril Auvity, Marc Mauillon, Arnold Schoenberg Chor | C Major | 4 | 8B | 66 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
Atys, Acte I, Scène 8: "Venez tous dans mon Temple" (Cybèle) | Jean-Baptiste Lully, Guillemette Laurens, Les Arts Florissants, William Christie | A♭ Minor | 1 | 1A | 82 BPM | ||
Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] | William Christie | F Minor | 0 | 4A | 104 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 13: No. 17, Aria, "Sapra delle mie offese" (Amastre) | George Frideric Handel, William Christie | D♭ Major | 2 | 3B | 98 BPM |
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