"King Arthur, or The British Worthy (1691) / Act 3: What Power art thou?" by Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari was released on January 1, 2010. The duration of King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? is about 3 minutes long, at 3:09. Based on our data, "King Arthur, or The British Worthy (1691) / Act 3: What Power art thou?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "O Solitude". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? by Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz in C-Sharp Minor | Rik | G Minor | 1 | 6A | 122 BPM | ||
Lucia di Lammermoor: Act III: Eccola! Oh, giusto cielo!... Il dolce suono | Gaetano Donizetti, Pretty Yende, Giacomo Sagripanti | F Minor | 1 | 4A | 79 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Eriko Sato, Edward Brewer, Orpheus Chamber Orchestra | C Minor | 1 | 5A | 172 BPM | ||
Cessate, omai cessate, RV 684: Ah ch'infelice sempre (Aria) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou | F♯ Minor | 2 | 11A | 107 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Stabat Mater: 12. Quando corpus - Amen | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 1 | 9A | 74 BPM | ||
Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 1 | 9B | 119 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria) | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent, Andreas Scholl | B♭ Minor | 0 | 3A | 92 BPM |
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