Francesco Cavalli, Marie-Frédérique Girod, Caroline Meng, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "O dea, sublime dea" (Pasitea & Giunone) - Simphonie du Sommeil' came out on September 3, 2015. The duration of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "O dea, sublime dea" (Pasitea & Giunone) - Simphonie du Sommeil is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "O dea, sublime dea" (Pasitea & Giunone) - Simphonie du Sommeil's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 13 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "O dea, sublime dea" (Pasitea & Giunone) - Simphonie du Sommeil is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "O dea, sublime dea" (Pasitea & Giunone) - Simphonie du Sommeil by Francesco Cavalli, Marie-Frédérique Girod, Caroline Meng, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major, Op. 6 No. 6: I. Largo | Charles Avison, Café Zimmermann | D♭ Major | 1 | 3B | 108 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) | Philippe Jaroussky, Ensemble Artaserse | A Minor | 0 | 8A | 109 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto for violoncello piccolo in G Major, RV. 414: II. Largo | Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra | E♭ Minor | 2 | 2A | 99 BPM | ||
Magnificat: IX. Esurientes | Francesco Cavalli, Ana Quintans, Victoire Bunel, David Tricou, Serge Goubioud, Virgile Ancely, Vincent Dumestre, Le Poème Harmonique, Simon-Pierre Bestion, La Tempête | A Major | 2 | 11B | 77 BPM |
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