"Concerto in D Major, Op. 6 No. 6: I. Largo" by Charles Avison, Café Zimmermann was released on January 1, 2002. The duration of Concerto in D Major, Op. 6 No. 6: I. Largo is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Concerto in D Major, Op. 6 No. 6: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 26 in Avison: Concertos in Seven Parts Done from the Lessons of Domenico Scarlatti (Alpha Collection) by Charles Avison, Café Zimmermann. In terms of popularity, Concerto in D Major, Op. 6 No. 6: I. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in D Major, Op. 6 No. 6: I. Largo by Charles Avison, Café Zimmermann is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazar Suite, Z. 570: III. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Concerto Grosso No. 8 in E Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | E♭ Major | 1 | 5B | 134 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Concerto in D Minor, H.116, Op. 7: III. Andante | Francesco Geminiani, Café Zimmermann | D♭ Minor | 1 | 12A | 110 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: III. Corrente. Allegro | Tomaso Albinoni, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 1, Sinfonia | Georg Philipp Telemann, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 0 | 10A | 76 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Phaëton, Acte II Scène 5, LWV 61: Chaconne | Jean-Baptiste Lully, Café Zimmermann | F Major | 2 | 7B | 135 BPM |
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