O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) - Philippe Jaroussky, Ensemble Artaserse Information

Acousticness: 99%
Danceability: 35%
Energy: 3%
Instrumentalness: 0%
Liveness: 7%
Loudness: 60%
Speechiness: 5%
Valence: 14%
Popularity: 15%
Loudness: -24.039 dB

Summary

"O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln)" by Philippe Jaroussky, Ensemble Artaserse was released on March 20, 2006. The duration of O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) is about 3 minutes long, at 3:26. Based on our data, "O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 14 in Beata Vergine by Philippe Jaroussky, Ensemble Artaserse. In terms of popularity, O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) BPM

The tempo marking of O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) by Philippe Jaroussky, Ensemble Artaserse is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Anchor che col partire'	Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido	A Minor	1	8A	138 BPM
I will exalt Thee	The Choir of Magdalen College, Oxford, John Harper, Christopher Tye	A Minor	0	8A	93 BPM
Sant'Agnese: Vaga rosa (Aria)	Bernardo Pasquini, Núria Rial	D♭ Minor	0	12A	77 BPM
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa	Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti	E Minor	0	9A	138 BPM
In Caelo Stele Clare Fulgescant: Alleluia	Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini	A♭ Major	3	4B	0 BPM
Mit Fried und Freud ich fahr dahin, BuxWV 76	Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel	D Minor	1	7A	56 BPM
Airs à quatre parties, Livre I: Que feray-je?	Jean Boyer, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre	D Minor	2	7A	76 BPM
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM
Messe de requiem: II. Kyrie	André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale	E♭ Minor	2	2A	111 BPM
Laudate pueri in G Major, RV 601 "Salmo 112": VIII. Sicut erat in principio (Allegro non molto)	Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari	D♭ Major	1	3B	93 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6379780769348145

End: 0.6427545547485352