"Concerto for violoncello piccolo in G Major, RV. 414: II. Largo" by Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra was released on March 20, 2020. The duration of Concerto for violoncello piccolo in G Major, RV. 414: II. Largo is about 3 minutes long, at 3:00. Based on our data, "Concerto for violoncello piccolo in G Major, RV. 414: II. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: I colori dell'ombra by Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra. The song's track number on the album is #12 out of 28 tracks. In terms of popularity, Concerto for violoncello piccolo in G Major, RV. 414: II. Largo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto for violoncello piccolo in G Major, RV. 414: II. Largo by Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto for violoncello piccolo in G Major, RV. 414: II. Largo being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 2, Alio modo in canone alla quinta | Raaf Hekkema, Calefax | E♭ Major | 1 | 5B | 72 BPM | ||
Sonata No. 4 in A Major, Op. 13, RV 59, "Il pastor fido": II. Allegro ma non presto | Antonio Vivaldi, Béla Drahos, Pál Kelemen, Zsuzsa Pertis | A Minor | 2 | 8A | 121 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
Cello Concerto in A Major, Wq.172: II. Largo maestoso | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D Minor | 0 | 7A | 116 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
Sonata in F, BuxWV 269: II. Solo- Allegro | Dietrich Buxtehude, La Rêveuse | E Major | 2 | 12B | 103 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM |
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