Raaf Hekkema, Calefax made "Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 2, Alio modo in canone alla quinta" available on October 9, 2020. The duration of Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 2, Alio modo in canone alla quinta is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 2, Alio modo in canone alla quinta's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Bach's Musical Offerings by Raaf Hekkema, Calefax, Arthur Klaassens. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 2, Alio modo in canone alla quinta is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 2, Alio modo in canone alla quinta by Raaf Hekkema, Calefax is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sey tausenmahl willkommen, TWV 13: 9a | Georg Philipp Telemann, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) | Henry Purcell, Martin Stadtfeld | G Minor | 0 | 6A | 67 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Ave verum corpus, K. 618 (Arr. Spindler for English Horn, Strings and Organ) | Wolfgang Amadeus Mozart, Albrecht Mayer, Vital Julian Frey, Deutsche Kammerphilharmonie Bremen | D Major | 1 | 10B | 68 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Suite in A Minor: III. Courante La Mignonne | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 131 BPM | ||
Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | ||
Seven Balkan Dances: I. Con moto | Marko Tajcevic, Eduard Wesly, Ivar Berix, Raaf Hekkema, Jelte Althuis, Alban Wesly | A Minor | 1 | 8A | 137 BPM |
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