"Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626)" by Henry Purcell, Martin Stadtfeld was released on March 5, 2021. The duration of Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) and no other songs are present in the album, we classify this track as a single. Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) by Henry Purcell, Martin Stadtfeld to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Sonata in D Minor, K.32: Aria | Domenico Scarlatti, Daria van den Bercken | D Minor | 0 | 7A | 110 BPM | ||
The Fairy Queen, Z. 629: Hornpipe | Henry Purcell, David Greilsammer | G Minor | 1 | 6A | 116 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Prelude Piano Variation (After Prelude from Violin Sonata in F Major, Op. 5, No. 10) | Arcangelo Corelli, Martin Stadtfeld | F Major | 2 | 7B | 78 BPM | ||
Piano Sonata No. 30 in E Major, Op. 109: III. Andante molto cantabile ed espressivo (Elaborations by See Siang Wong) | Ludwig van Beethoven, See Siang Wong | E Major | 0 | 12B | 72 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Miniature No. 7 | Giya Kancheli, Andrea Cortesi, Marco Venturi | F♯ Minor | 0 | 11A | 78 BPM |
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