"Miniature No. 7" by Giya Kancheli, Andrea Cortesi, Marco Venturi was released on December 1, 2016. The duration of Miniature No. 7 is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Miniature No. 7's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giya Kancheli, Andrea Cortesi, Marco Venturi's "Giya Kancheli: Miniatures for Violin and Piano" album is number 7 out of 19. On top of that, Netherlands appears to be the country where this track was created. Miniature No. 7 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miniature No. 7 by Giya Kancheli, Andrea Cortesi, Marco Venturi to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Miniature No. 2 | Giya Kancheli, Andrea Cortesi, Marco Venturi | C Major | 0 | 8B | 71 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Berceuse for Piano in D-Flat Major | Mily Balakirev, Christian Spring | D♭ Major | 0 | 3B | 80 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Lyapunov: 6 Morceaux faciles, Op. 59: No. 2, Berceuse d'une poupée | Sergei Lyapunov, Bertrand Chamayou | E Minor | 0 | 9A | 171 BPM | ||
Ravel: Sonatine, M. 40: II. Mouvement de menuet | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 131 BPM |
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