Andante maestoso. Romans (From "The Way to the Sea")
Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins
Britten on Film
0:39 April 1, 2012
BPM
83
Key
F♯ Major
Camelot
2B

Embed

Share Link

Andante maestoso. Romans (From "The Way to the Sea") - Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins Information

Acousticness
59%
Danceability
71%
Energy
26%
Instrumentalness
0%
Liveness
15%
Loudness
68%
Speechiness
96%
Valence
18%
Popularity
Loudness
-19.296 dB

Summary

"Andante maestoso. Romans (From "The Way to the Sea")" by Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins was released on April 1, 2012. With Andante maestoso. Romans (From "The Way to the Sea") being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 28 out of 55 in Britten on Film by Benjamin Britten, Various Artists, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Andante maestoso. Romans (From "The Way to the Sea") is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

Andante maestoso. Romans (From "The Way to the Sea") BPM

The tempo marking of Andante maestoso. Romans (From "The Way to the Sea") by Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Andante maestoso. Romans (From "The Way to the Sea") Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffrey by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher RobinsonRejoice in the Lamb, Op. 30: For I will consider my Cat JeoffreyBenjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher RobinsonD♭ Major33B124 BPM
Orfeo ed Euridice: Overtura by Christoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterOrfeo ed Euridice: OverturaChristoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterG Major29B76 BPM
Requiem, Op.48: 4. Pie Jesu (I) by Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot GardinerRequiem, Op.48: 4. Pie Jesu (I)Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot GardinerB♭ Major06B72 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ": AllegroCamille Saint-Saëns, Eugene Ormandy, Philadelphia OrchestraF Major37B111 BPM
The Firebird Suite (1919 Version): VI. Lullaby by Igor Stravinsky, Leonard Bernstein, New York PhilharmonicThe Firebird Suite (1919 Version): VI. LullabyIgor Stravinsky, Leonard Bernstein, New York PhilharmonicA♭ Minor01A170 BPM
Khovanshchina: Overture (Prelude) by Modest Mussorgsky, Mariinsky Orchestra, Valery GergievKhovanshchina: Overture (Prelude)Modest Mussorgsky, Mariinsky Orchestra, Valery GergievD♭ Major03B90 BPM
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) by Hector Berlioz, Hungarian National Philharmonic, Ádám FischerLa damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits)Hector Berlioz, Hungarian National Philharmonic, Ádám FischerD Major010B80 BPM
Lohengrin, WWV 75 / Act III: Prelude to Act III by Richard Wagner, Wiener Philharmoniker, Claudio AbbadoLohengrin, WWV 75 / Act III: Prelude to Act IIIRichard Wagner, Wiener Philharmoniker, Claudio AbbadoD Major110B94 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mossoAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisG Major19B174 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro by Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzBach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. AllegroOttorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzD Major210B126 BPM
ISRC
GBCML0711228
Label
L-M Records/RCA Records

Section: 0.81284499168396

End: 0.816387414932251