Britten on Film
Benjamin Britten, Various Artists, Martyn Brabbins
April 1, 2012
Popularity
2%
Number of Tracks
55
Label
NMC Recordings
Copyright
2012 NMC Recordings
UPC
5060084078819
| # | Track | Artist | Key | Camelot | BPM | |
|---|---|---|---|---|---|---|
| 1 |  | Title Music (From "Night Mail") | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 2 | | Percussion Sequence (From "Night Mail") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | D♭ Major | 3B | 116 |
| 3 | | This Is the Night Mail Crossing the Border (From "Night Mail") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 4 | | The Tocher Suite: I. Allegro brilliante | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 5 | | The Tocher Suite: II. Allegretto | Benjamin Britten, Choir of King Edward's School at Birmingham, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 6 | | The Tocher Suite: III. Allegretto | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 7 | | The Tocher Suite: IV. Bolero. Allegro moderato | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 8 | | The Tocher Suite: V. Allergro con brio | Benjamin Britten, Choir of King Edward's School at Birmingham, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 9 | | Allegro molto alla marcia (From "The King's Stamp") | Benjamin Britten, Malcolm Wilson, Clare Findlater, Chris Richards | C Major | 8B | 128 |
| 10 | | Allegro. Opening Door (From "The King's Stamp") | Benjamin Britten, Malcolm Wilson, Clare Findlater, Chris Richards | F Major | 7B | 125 |
| 11 | | Allegretto. Messenger Boy (From "The King's Stamp") | Benjamin Britten, Malcolm Wilson, Clare Findlater, Chris Richards | D Major | 10B | 100 |
| 12 | | Lento ma non troppo. Entry to Lithograph Works (From "The King's Stamp") | Benjamin Britten, Malcolm Wilson | B Minor | 10A | 95 |
| 13 | | Allegro moderato. Stamp Factory - Machine Starts (From "The King's Stamp") | Benjamin Britten, Malcolm Wilson, Clare Findlater, Chris Richards | D Minor | 7A | 142 |
| 14 | | Minuet. Andante lento (From "The King's Stamp") | Benjamin Britten, Malcolm Wilson | F Major | 7B | 131 |
| 15 | | Allegretto. Train Sequence (From "The King's Stamp") | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 16 | | Allegretto. Parliament - The Stamp Bill (From "The King's Stamp") | Benjamin Britten, Malcolm Wilson, Clare Findlater, Chris Richards | D Major | 10B | 100 |
| 17 | | Allegro (From "The King's Stamp") | Benjamin Britten, Malcolm Wilson, Clare Findlater | B Minor | 10A | 95 |
| 18 | | Allegro moderato alla marcia (From "The King's Stamp") | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 19 | | Allegro appassionato. Title Music (From "Negroes") | Benjamin Britten, Daniel Auchincloss, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 20 | | Allegro. In the Middle Ages (From "Negroes") | Benjamin Britten, Daniel Auchincloss, Adam Green, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 21 | | Allegro. Then the Portuguese and Spaniards (From "Negroes") | Benjamin Britten, Daniel Auchincloss, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 22 | | Allegro ritmico. At the Mouth of the Senegal (From "Negroes") | Benjamin Britten, Daniel Auchincloss, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 23 | | Andante con moto. To Sail from Africa to Jamaica (From "Negroes") | Benjamin Britten, Mary Carewe, Daniel Auchincloss, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | D Minor | 7A | 79 |
| 24 | | Andante lento. The More Advanced Thinkers in Europe (From "Negroes") | Benjamin Britten, Mary Carewe, Daniel Auchincloss, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | A♭ Major | 4B | 142 |
| 25 | | Andante con molto moto. Still at Their Accustomed Hour (From "Negroes") | Benjamin Britten, Mary Carewe, Adam Green, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | A Major | 11B | 99 |
| 26 | | Allegro ritmico. Coffee from the Blue Mountains (From "Negroes") | Benjamin Britten, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 27 | | Allegro. Introduction (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | D♭ Major | 3B | 116 |
| 28 | | Andante maestoso. Romans (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | F♯ Major | 2B | 83 |
| 29 | | Andante maestoso. Alfred (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 30 | | Moderato. There Is, at This point of the Haven (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | D Major | 10B | 90 |
| 31 | | Allegro. The Eighteenth Century (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | F♯ Major | 2B | 83 |
| 32 | | Allegro con fuoco. Nelson Has Gone (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | B♭ Major | 6B | 74 |
| 33 | | Lento e pesante. 169 Trains a Week (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | B♭ Major | 6B | 74 |
| 34 | | The Line Waits (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | B♭ Major | 6B | 74 |
| 35 | | Più lento. Here Is a Harbour (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | E Major | 12B | 80 |
| 36 | | Slow. We Seek a Spectacle (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | F Major | 7B | 105 |
| 37 | | Allegro molto - Alla marcia (From "The Way to the Sea") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | B♭ Major | 6B | 74 |
| 38 | | Telegrams | Benjamin Britten, Choir of King Edward's School at Birmingham, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 39 | | Peace of Britain | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 40 | | Title Music (From "Men Behind the Meters") | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 41 | | Andantino. I Dreamt That I Dwelt in Marble Halls (From "Men Behind the Meters") | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 42 | | Allegro moderato. 1935 Sequence (From "Men Behind the Meters") | Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 43 | | Andante (From "Coal Face") [1] | Benjamin Britten, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | B Minor | 10A | 95 |
| 44 | | A Sterile Landscape (From "Coal Face") | Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins | F Major | 7B | 100 |
| 45 | | Andante. Coal Mining Is the Basic Industry of Britain (From "Coal Face") | Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | B♭ Major | 6B | 74 |
| 46 | | Yorkshire and Landscape (From "Coal Face") | Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | D♭ Major | 3B | 116 |
| 47 | | Moderato. The Temperature Often Reaches (From "Coal Face") | Benjamin Britten, Simon Russell Beale, Malcolm Wilson, Martyn Brabbins | B Minor | 10A | 95 |
| 48 | | Andante. The Seven and a Half Hour Shift (From "Coal Face") | Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | F Major | 7B | 100 |
| 49 | | Ad libitum sempre. One Thirty A.M. (From "Coal Face") | Benjamin Britten, Simon Russell Beale, Daniel Auchincloss, Adam Green, Mike Flower, Birmingham Contemporary Music Group, Martyn Brabbins | B♭ Major | 6B | 74 |
| 50 | | Allegro ma non troppo. In Many Pits (From "Coal Face") | Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | E Minor | 9A | 115 |
| 51 | | Allegro molto. The Shift Is Finished (From "Coal Face") | Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins | F♯ Major | 2B | 83 |