The Line Waits (From "The Way to the Sea")
Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins
Britten on Film
2:56 April 1, 2012
BPM
74
Key
B♭ Major
Camelot
6B

Embed

Share Link

The Line Waits (From "The Way to the Sea") - Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins Information

Acousticness
93%
Danceability
33%
Energy
14%
Instrumentalness
69%
Liveness
25%
Loudness
56%
Speechiness
7%
Valence
20%
Popularity
Loudness
-26.122 dB

Summary

Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins's 'The Line Waits (From "The Way to the Sea")' came out on April 1, 2012. The duration of The Line Waits (From "The Way to the Sea") is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. The Line Waits (From "The Way to the Sea")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 55 in Britten on Film by Benjamin Britten, Various Artists, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Line Waits (From "The Way to the Sea") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Line Waits (From "The Way to the Sea") BPM

The tempo marking of The Line Waits (From "The Way to the Sea") by Benjamin Britten, Simon Russell Beale, Birmingham Contemporary Music Group, Martyn Brabbins is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

The Line Waits (From "The Way to the Sea") Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

An error has occurred while fetching the recommendations and the harmonic matches for this track. Please try again.

ISRC
GBCML0711234
Label
L-M Records/RCA Records

Section: 0.15052437782287598

End: 0.15602898597717285