Benjamin Britten, Daniel Auchincloss, Adam Green, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins made "Allegro. In the Middle Ages (From "Negroes")" available on April 1, 2012. With Allegro. In the Middle Ages (From "Negroes") being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 55 in Britten on Film by Benjamin Britten, Various Artists, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Allegro. In the Middle Ages (From "Negroes") is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Allegro. In the Middle Ages (From "Negroes") by Benjamin Britten, Daniel Auchincloss, Adam Green, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Organ Concerto in G Minor, FP 93: II. Allegro giocoso | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 84 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 5, Fughetta. Allegro vivace | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 137 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): V. Lullaby | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM |
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