Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins made "Andantino. I Dreamt That I Dwelt in Marble Halls (From "Men Behind the Meters")" available on April 1, 2012. With Andantino. I Dreamt That I Dwelt in Marble Halls (From "Men Behind the Meters") being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 41 out of 55 in Britten on Film by Benjamin Britten, Various Artists, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Andantino. I Dreamt That I Dwelt in Marble Halls (From "Men Behind the Meters") is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Andantino. I Dreamt That I Dwelt in Marble Halls (From "Men Behind the Meters") by Benjamin Britten, Birmingham Contemporary Music Group, Martyn Brabbins is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse religieuse - Modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | A Major | 1 | 11B | 174 BPM | ||
Piano Concerto No. 20 in D minor, K.466: 2. Romance | Wolfgang Amadeus Mozart, Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | B♭ Major | 0 | 6B | 76 BPM | ||
Rollicum Rorum, Op.15, No.6 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon, Amy Dickson | G Major | 2 | 9B | 130 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | A Major | 0 | 11B | 71 BPM | ||
Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM |
Section: 0.8329424858093262
End: 0.8370184898376465