Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei's 'Suite for Viola & Small Orchestra: I. Prelude' came out on May 11, 2018. The duration of Suite for Viola & Small Orchestra: I. Prelude is about 3 minutes long, at 3:08. Based on our data, "Suite for Viola & Small Orchestra: I. Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 10 in British Music for Viola Concertos by Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei. In terms of popularity, Suite for Viola & Small Orchestra: I. Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for Viola & Small Orchestra: I. Prelude by Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Charterhouse Suite: Quick Dance | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | E Minor | 1 | 9A | 120 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Belcea Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
5 Bagatelles for clarinet and piano, Op. 23: 2. Romance - Andante tranquillo | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Minor | 0 | 4A | 67 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Major | 2 | 11B | 78 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
L'Africaine (The African Maid), Act I: Overture: Act II: Entr'acte | Giacomo Meyerbeer, New Zealand Symphony Orchestra, Darrell Ang | E♭ Major | 3 | 5B | 120 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM |
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