Giacomo Meyerbeer, New Zealand Symphony Orchestra, Darrell Ang made "L'Africaine (The African Maid), Act I: Overture: Act II: Entr'acte" available on May 6, 2014. With L'Africaine (The African Maid), Act I: Overture: Act II: Entr'acte being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giacomo Meyerbeer, New Zealand Symphony Orchestra, Darrell Ang's "Meyerbeer: Overtures & Entr'actes from the French Operas" album is number 9 out of 17. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, L'Africaine (The African Maid), Act I: Overture: Act II: Entr'acte's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of L'Africaine (The African Maid), Act I: Overture: Act II: Entr'acte by Giacomo Meyerbeer, New Zealand Symphony Orchestra, Darrell Ang to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Yellow River Piano Concerto: II. Ode to the Yellow River | Chengzong Yin, Fei-sheng Xu, Wanghua Chu, Li Hong Sheng, Shucheng Shi, Zhuang Liu, Jie Chen, New Zealand Symphony Orchestra, Carolyn Kuan | F Major | 0 | 7B | 86 BPM | ||
Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | A Minor | 1 | 8A | 140 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 2 | 5B | 121 BPM | ||
Symphony in C Major: IV. Allegro Vivace | Georges Bizet, New Zealand Symphony Orchestra, Donald Johanos | D Major | 1 | 10B | 134 BPM | ||
Concerto for Orchestra: II. Capriccio notturno ed arioso. Vivace | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | B♭ Minor | 3 | 3A | 75 BPM | ||
The Seasons, Op. 67, Pt. 3 "L’été": No. 13, Coda | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 22. Un poco più vivo (alla breve) | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | B♭ Major | 2 | 6B | 86 BPM | ||
Tosca, SC 69, Act I: Perché chiuso? - Qual occhio - Mia gelosa! | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 71 BPM | ||
Tippett: Concerto for Double String Orchestra: I. Allegro con brio | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Rhapsody-Concerto, H. 337: I. Moderato | Bohuslav Martinů, Maxim Rysanov, BBC Symphony Orchestra, Jiří Bělohlávek | B♭ Major | 1 | 6B | 141 BPM |
Section: 0.5551550388336182
End: 0.5626475811004639