Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko's 'The Seasons, Op. 67, Pt. 3 "L’été": No. 13, Coda' came out on September 14, 2018. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko's "Glazunov: The Seasons, Op. 67 - Tchaikovsky: Serenade for Strings, Op. 48" album is number 11 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Seasons, Op. 67, Pt. 3 "L’été": No. 13, Coda's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seasons, Op. 67, Pt. 3 "L’été": No. 13, Coda by Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5, Op. 107, "Reformation": II. Allegro vivace | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Symphony No. 2 in E Minor, Op. 115 "Böcklin-Symphonie": IV. Finale, Metamorphosen (No. 6 "Die Gefilde Der Seligen") | Hans Huber, Matthias Wächter, Günther Maysenhölder, Jörg Peter Weigle, Stuttgart Philharmonic Orchestra | G Major | 1 | 9B | 87 BPM | ||
Piano Concerto No. 2, Op. 28: I. Allegro dramatico | Sergei Bortkiewicz, David Porcelijn, Janacek Philharmonic Orchestra, Stefan Doniga | E♭ Minor | 2 | 2A | 102 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
Paria, Act I (Ed. Włodzimierz Ormicki): Introduction | Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk | C Major | 0 | 8B | 99 BPM | ||
交響曲第3番ヘ長調作品90 第2楽章:アンダンテ | ベルリン フィルハーモニー管弦楽団 | C Major | 1 | 8B | 76 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM |
Section: 0.629765510559082
End: 0.6339592933654785