"Paria, Act I (Ed. Włodzimierz Ormicki): Introduction" by Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk was released on August 11, 2023. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Stanisław Moniuszko, Dominik Sutowicz, Iwona Sobotka, Piotr Friebe, Rafał Korpik, Stanisław Kuflyuk, Aleksandra Kiedrowska, Poznań Opera House Orchestra, Jacek Kaspszyk, Poznań Opera House Chorus's "Moniuszko: Paria (Ed. Włodzimierz Ormicki)" album is number 2 out of 30. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Paria, Act I (Ed. Włodzimierz Ormicki): Introduction is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paria, Act I (Ed. Włodzimierz Ormicki): Introduction by Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 3, Op. 52: III. Moderato - Allegro ma non tanto | Jean Sibelius, Hallé, Sir John Barbirolli | C Major | 2 | 8B | 90 BPM | ||
Ojcze z Niebios, Boże, Panie | Stanisław Moniuszko, Orkiestra Teatru Narodowego | C Major | 7 | 8B | 141 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (3) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Fawkes the Phoenix - From “Harry Potter and the Chamber of Secrets” / Live at Su | John Williams, Saito Kinen Orchestra | G Minor | 3 | 6A | 102 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: III. Passacaglia. Andante | Dmitri Shostakovich, Bomsori, Jacek Kaspszyk | D♭ Major | 1 | 3B | 91 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Symphony No. 3, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Manfred Symphony, Op. 58: II. Vivace con spirito | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Lorin Maazel | F Minor | 1 | 4A | 102 BPM | ||
Straszny Dwór: Więc gdy się rozstaniem | Stanisław Moniuszko, Bohdan Paprocki, Zygmunt Mariański, Edmund Kossowski, Chór Opery w Poznaniu, Orkiestra Opery w Poznaniu, Walerian Bierdiajew | B♭ Major | 1 | 6B | 137 BPM | ||
Pictures at an Exhibition: X. The Great Gate of Kiev | Modest Mussorgsky, New York Philharmonic, Leonard Bernstein | D♭ Minor | 0 | 12A | 111 BPM |
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