"Symphony No. 3, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi was released on March 15, 2024. Since Symphony No. 3, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 4 out of 36. On top of that, France appears to be the country where this track was created. Symphony No. 3, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Voces intimae, Op. 56: II. Vivace (Arr. string orchestra) | Australian Chamber Orchestra, Richard Tognetti | E♭ Major | 2 | 5B | 74 BPM | ||
Ivan Susanin | Mikhail Glinka, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | G Major | 4 | 9B | 81 BPM | ||
Voix intimes, Op. 45: No. 2, Espoir | Henri Vieuxtemps, Vilmos Csikos, Olivier Lechardeur | A♭ Major | 0 | 4B | 169 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Haas Edition): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Christian Thielemann, Wiener Philharmoniker | F♯ Minor | 0 | 11A | 141 BPM | ||
Londonderry Air "Farewell to Cucullain" (Arr. Kreisler for Violin, Cello & Piano) | Traditional, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | C Major | 1 | 8B | 101 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 0 | 5B | 133 BPM | ||
Octet, Op. 7 (Arr. for String Orchestra by Wilson, Lovell-Jones & Nelson): III. Lentement | George Enescu, Sinfonia Of London, John Wilson | E Major | 1 | 12B | 85 BPM |
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