Benjamin Britten, Simon Russell Beale, Daniel Auchincloss, Adam Green, Mike Flower, Birmingham Contemporary Music Group, Martyn Brabbins's 'Ad libitum sempre. One Thirty A.M. (From "Coal Face")' came out on April 1, 2012. With Ad libitum sempre. One Thirty A.M. (From "Coal Face") being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 49 out of 55 in Britten on Film by Benjamin Britten, Various Artists, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Ad libitum sempre. One Thirty A.M. (From "Coal Face") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ad libitum sempre. One Thirty A.M. (From "Coal Face") by Benjamin Britten, Simon Russell Beale, Daniel Auchincloss, Adam Green, Mike Flower, Birmingham Contemporary Music Group, Martyn Brabbins is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
Billy Budd: Gentlemen, the King! (Vere/First Lieutenant/Sailing Master) | Benjamin Britten, Daniel Harding, London Symphony Orchestra | D Major | 1 | 10B | 173 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Organ Concerto in G Minor, FP 93: II. Allegro giocoso | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 84 BPM | ||
Billy Budd: Here! Baby! (Dansker/Billy) | Benjamin Britten, Daniel Harding, London Symphony Orchestra | F Major | 1 | 7B | 129 BPM | ||
Gloria, FP 144: 5. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 95 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Carmina Burana: III. Veris leta facies | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 127 BPM |
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