"Tristan und Isolde / Act 2: "Einsam wachend in der Nacht"" by Richard Wagner, Petra Lang, Christian Thielemann was released on January 1, 2004. The duration of Tristan und Isolde / Act 2: "Einsam wachend in der Nacht" is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Tristan und Isolde / Act 2: "Einsam wachend in der Nacht"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Vienna State Opera Orchestra, Christian Thielemann. The song's track number on the album is #5 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde / Act 2: "Einsam wachend in der Nacht" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 2: "Einsam wachend in der Nacht" by Richard Wagner, Petra Lang, Christian Thielemann has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 2: "Einsam wachend in der Nacht" being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Carmen, Act III: Entr'acte | Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 113 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture | Dmitri Shostakovich, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | C Minor | 3 | 5A | 117 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM |
Section: 0.7631616592407227
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