Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti's 'Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major' came out on January 1, 1977. With this song being about 5 minutes long, at 4:51, "Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major" by Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 21 in Elgar: Enigma Variations; Pomp & Circumstance Marches; Cockaigne Overture by Edward Elgar, Chicago Symphony Orchestra, London Philharmonic Orchestra, Sir Georg Solti. In terms of popularity, Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major by Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Rotterdam Philharmonic Orchestra, David Zinman | D♭ Major | 0 | 3B | 131 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Pavane Op. 50 (orch. version, 1887) - 1993 Remastered Version | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
Symphony No.2 in E flat, Op.63: 3. Rondo. Presto | Edward Elgar, Staatskapelle Berlin, Daniel Barenboim | G Major | 2 | 9B | 138 BPM | ||
DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | ||
Grieg : Symphonic Dances Op.64 : No.2 in A Major | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 110 BPM | ||
Die Zauberflöte (The Magic Flute), K. 620: Overture | Wolfgang Amadeus Mozart, David Parry, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 85 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM |
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