Dmitri Shostakovich, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald's 'The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture' came out on November 10, 2017. The duration of The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "The Gadfly (Original Score)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture by Dmitri Shostakovich, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: II. Dresden in Ruins | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F Major | 0 | 7B | 146 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: III. The Liberation of Dresden | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 74 BPM | ||
Glistening Grimoires | Super Sound Studio | F♯ Major | 2 | 2B | 81 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Polovetsian Dances from Prince Igor: Allegro con spirito | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 5 | 11B | 90 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM |
Section: 0.6249740123748779
End: 0.6293911933898926