Alexander Borodin, George Szell, Cleveland Orchestra's 'Polovetsian Dances from Prince Igor: Allegro con spirito' came out on 1958. With Polovetsian Dances from Prince Igor: Allegro con spirito being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Szell's "Mussorgsky: Pictures at an Exhibition - Expanded Edition" album is number 28 out of 29. In terms of popularity, Polovetsian Dances from Prince Igor: Allegro con spirito is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Polovetsian Dances from Prince Igor: Allegro con spirito by Alexander Borodin, George Szell, Cleveland Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in G Minor, Op. 25: I. Molto allegro con fuoco | Felix Mendelssohn, Joseph Kalichstein, Jaime Laredo, Scottish Chamber Orchestra | G Minor | 1 | 6A | 83 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Carmina Burana: Swaz hie gat umbe | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | C Major | 0 | 8B | 130 BPM | ||
Carmina Burana: Ave formosissima | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | E Minor | 2 | 9A | 89 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Le sacre du printemps (1947 version): Pt. 2 "The Sacrifice", Ritual of the Ancients | Igor Stravinsky, Pierre Boulez, The Cleveland Orchestra | C Minor | 0 | 5A | 119 BPM | ||
March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM |
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