"Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: III. The Liberation of Dresden" by Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar was released on January 20, 1997. Since Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: III. The Liberation of Dresden is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Shostakovich: Gadfly Suite (The) / Five Days-Five Nights Suite". In this album, this song's track order is #15. Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: III. The Liberation of Dresden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: III. The Liberation of Dresden by Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Carmen Ballet: Entrance of Carmen and Habañera | Arthur Fiedler | G Major | 1 | 9B | 120 BPM | ||
La Bayadère / Act 1: No.6 Moderato assai | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | C Minor | 1 | 5A | 72 BPM | ||
Don Quixote: Act III: Quiteria's Variation (The Fan) | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 0 | 6B | 80 BPM | ||
Wedding Day at Troldhaugen | Edvard Grieg, The New Symphony Orchestra Of London, Charles Mackerras | G Major | 1 | 9B | 136 BPM | ||
Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra): I. Song about Zoya | Lev Atovmyan, Dmitri Shostakovich, Minsk Chamber Choir, Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov | C Major | 1 | 8B | 79 BPM | ||
Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM |
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