Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra's 'A Spring Symphony Op. 44: Fair and Fair (G Peele)' came out on 1986. The duration of A Spring Symphony Op. 44: Fair and Fair (G Peele) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. A Spring Symphony Op. 44: Fair and Fair (G Peele)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in Britten: Spring Symphony, Four Sea Interludes (Peter Grimes) by Benjamin Britten, André Previn, London Symphony Orchestra. The popularity of A Spring Symphony Op. 44: Fair and Fair (G Peele) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Spring Symphony Op. 44: Fair and Fair (G Peele) by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM | ||
Sally In Our Alley | Traditional, Sir Peter Pears, Benjamin Britten | G Major | 1 | 9B | 86 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Lachian Dances, JW VI/17: No. 2. Pozehnany (Blessed) | Leoš Janáček, WDR Sinfonieorchester Köln, Gerd Albrecht | F Major | 1 | 7B | 60 BPM |
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