"Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto" by Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi was released on June 7, 2024. The duration of Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Fauré: Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto by Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 137 BPM | ||
Symphony No. 5, Op. 107, "Reformation": III. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | G Minor | 0 | 6A | 72 BPM | ||
Ma mère l'oye (Cinq pièces enfantines), M. 62: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Paavo Järvi, Cincinnati Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. A. de la Vega for Flute & Piano) | Gabriel Fauré, Ana de la Vega, Paul Rivinius | F Minor | 0 | 4A | 83 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM | ||
Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace | Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists | F Major | 4 | 7B | 107 BPM | ||
Cantata, BWV 159: Es ist vollbracht (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B♭ Major | 0 | 6B | 136 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
The Tempest: Suite No. 2, Op. 109: II. Intermezzo | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A♭ Minor | 0 | 1A | 57 BPM |
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