On January 12, 2024, the song "Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace" was released by Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists. The duration of Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace's duration is considered a little bit shorter than the average duration of a typical track. Since Suite italienne: III. Tarantella. Vivace only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace by Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1, Op. 11: III. Menuetto: Allegro molto - Trio | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
The Gadfly, Op. 97: Prelude (Arr. Atovmyan for Cello, Saxophone & Piano) | Dmitri Shostakovich, Alban Gerhardt, Alliage Quintett | A Major | 1 | 11B | 85 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto | Dmitri Shostakovich, Asasello Quartett | G Major | 6 | 9B | 123 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Violin Sonata No. 2 in D Minor: III. Presto | Heino Eller, Andres Kaljuste, Sophia Rahman | G Major | 1 | 9B | 130 BPM | ||
Circus Polka (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Matthew Trusler, Martin Roscoe | A♭ Minor | 2 | 1A | 97 BPM | ||
Violin Concerto: III. Electric | Christopher Alan Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | F Major | 2 | 7B | 129 BPM |
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