"Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp" by Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord was released on September 1, 2023. The duration of Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Tristan und Isolde, WWV 90 (Paraphrase for String Septet by Martina Trumpp) by Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord. The song's track number on the album is #8 out of 25 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp by Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Das Liebesverbot, WWV 38, Act I: Act I: Wohlan, so rede! (Friedrich, Isabella) | Richard Wagner, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Wolfgang Sawallisch | B♭ Major | 3 | 6B | 69 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Serenade: II. Aristophanes. Allegretto | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | D♭ Major | 0 | 3B | 119 BPM | ||
Piano Trio in A Minor, Op. 50: II. Variation 6 | Pyotr Ilyich Tchaikovsky, Alexandra Troussova, Kirill Troussov, Benedict Kloeckner | B Minor | 2 | 10A | 109 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
4 Pieces for Violin and Piano from "Much Ado About Nothing", Op. 11: II. Dogberry and Verges. March of the Watch - Version for Violin and Piano by Erich Wolfgang Korngold | Erich Wolfgang Korngold, Svetlin Roussev, Yeol Eum Son | G Major | 2 | 9B | 94 BPM | ||
Lieder Ohne Worte, Drittes Heft, Op. 38 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM |
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