Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell's 'Materna Requiem: 1. Introit' came out on August 31, 2018. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 16 in Dale: Requiem For My Mother by Bádji, Ventus Machina, Simon Folwar, Helge Burggrabe, Deutsches Kammerorchester Berlin, Duncan Ward, Rebecca Dale, Clark Rundell, Louise Alder, Trystan, Kantos Chamber Choir, Royal Liverpool Philharmonic Orchestra, Jeff Atmajian, Nazan Fikret, Cantus Ensemble, The Studio Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Materna Requiem: 1. Introit is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Materna Requiem: 1. Introit by Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vide Cor Meum (20th Anniversary Edition) | Patrick Cassidy | A Major | 2 | 11B | 81 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
The Long Day Closes | Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach | G Major | 1 | 9B | 120 BPM | ||
To the Hands: No. 6. I Will Hold You | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 88 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Scenes from Bruegel: III. The Peasant Dance | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | A Minor | 2 | 8A | 72 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: I. Magnificat (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | G Minor | 2 | 6A | 79 BPM | ||
Praeludium | David Bedford, Royal Northern College Of Music Wind Orchestra, Clark Rundell | E♭ Major | 1 | 5B | 118 BPM |
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