On February 9, 2024, the song "Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena)" was released by George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro. Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel's "Handel: Sarabande, Hallelujah and Other Masterpieces" album is number 2 out of 41. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) by George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
Lakmé / Act 1: "Dôme épais" - Live | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 77 BPM | ||
Acis and Galatea, HWV 49a, Act I: Happy We! (Galatea, Acis) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Grace Davidson, Jeremy Budd | A Major | 2 | 11B | 129 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Vinci: Il farnace, Act 2: "Lascerò d'esser spietata" (Berenice) | Leonardo Vinci, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D♭ Major | 2 | 3B | 104 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Messiah, HVW 56, Part 1, Scene 1: And the glory of the Lord | George Frideric Handel, Bible, Charles Jennens, St. Jacob's Chamber Choir, Rebaroque, Gary Graden | E Major | 1 | 12B | 82 BPM | ||
Alcina / Act 1: Tornami a vagheggiar | George Frideric Handel, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | A Major | 1 | 11B | 133 BPM |
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