"To the Hands: No. 6. I Will Hold You" by Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally was released on February 3, 2017. The duration of To the Hands: No. 6. I Will Hold You is about 3 minutes long, at 3:09. Based on our data, "To the Hands: No. 6. I Will Hold You" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Seven Responses". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. To the Hands: No. 6. I Will Hold You is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To the Hands: No. 6. I Will Hold You by Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
and the swallow | Caroline Shaw, The Gustavus Choir, Brandon Dean | B Major | 1 | 1B | 134 BPM | ||
Oedipus, Z.583 (arr. Richard Boothby): II. Music for a While | Henry Purcell, Richard Boothby, Iestyn Davies | G Major | 1 | 9B | 145 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 145 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Akhnaten: Hymn to the Sun | Philip Glass, Anthony Roth Costanzo, Jonathan Cohen, Les Violons du Roy | E Minor | 2 | 9A | 68 BPM | ||
Os Justi | Anton Bruckner, Bergen Cathedral Choir, Bergen Philharmonic Trombones | C Major | 0 | 8B | 137 BPM | ||
Ma fin est mon commencement | Jackson Hill, New York Polyphony | A♭ Minor | 1 | 1A | 129 BPM | ||
Aurora Borealis | Caroline Shaw, Renée Fleming, Yannick Nézet-Séguin | D♭ Minor | 1 | 12A | 98 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 0 | 9B | 100 BPM |
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