"Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo" by Henryk Górecki, Los Angeles Master Chorale, Grant Gershon was released on January 1, 2012. The duration of Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henryk Górecki, Los Angeles Master Chorale, Grant Gershon's "Górecki: Miserere" album is number 4 out of 17. In terms of popularity, Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere, Op.44: 3. Domine Deus noster-Lento. Poco espressivo by Henryk Górecki, Los Angeles Master Chorale, Grant Gershon to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Totus Tuus Op. 60 | Henryk Górecki, National Youth Choir Of Great Britain, Mike Brewer | E♭ Major | 0 | 5B | 137 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
The Spheres | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 133 BPM | ||
Ordo Virtutum, Szene III, Finale: "In principio" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | A Minor | 1 | 8A | 77 BPM | ||
The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): It was terribly cold | David Lang, Matthew Brown, Los Angeles Master Chorale, Grant Gershon | C Major | 1 | 8B | 182 BPM | ||
Svete tikhii (Gentle light) | Victor Kalinnikov, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 1 | 7B | 74 BPM |
Section: 0.620586633682251
End: 0.6245589256286621