Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach's 'The Long Day Closes' came out on March 6, 2020. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "The Long Day Closes: Sullivan Part Songs". In this album, this song's track order is #21. Based on our statistics, The Long Day Closes's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Long Day Closes by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act II: Night has spread her pall once more (People, Dame Carruthers, Yeomen) | Arthur Sullivan, Alexander Young/John Carol Case/Monica Sinclair/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 127 BPM | ||
Shakespeare Songs, Book 2: II. Tell me where is fancy bred | Aaron Harris, Phoenix Bach Choir, Charles Bruffy | B Minor | 1 | 10A | 63 BPM | ||
Miserere mei Deus | William Byrd, Contrapunctus, Owen Rees | E Minor | 1 | 9A | 76 BPM | ||
Messe brève No. 7: I. Kyrie | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D Minor | 2 | 7A | 104 BPM | ||
Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Onward Christian Soldiers | Sabine Baring-Gould, Arthur Sullivan, Salisbury Cathedral Choir, Simon Lole | E♭ Major | 2 | 5B | 170 BPM | ||
Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Minor | 0 | 5A | 73 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Mass for Four Voices: Kyrie | William Byrd, Christ Church Cathedral Choir, Stephen Darlington | F Minor | 1 | 4A | 80 BPM |
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